I have been a lifelong rider and horse lover. I got my first "horse" at a yard sale; it was a pony actually. It was sometime in the early 60's. I was in 3rd or 4th grade. The pony was perhaps $10. My sister, brother, and I pooled our money and led him home. At the time my parents were traveling, and my Uncle Bill promptly made us return it. (stay tuned...more to come...)
A new workshop by popular instructor, Cheri Isgreen
Wednesdays at Western Series at the Gunnison Arts Center
3:00 – 5:00 pm.
June 21, July 5, July 19, August 2
Featured artists: (clockwise) Juane Quick to See Smith, Georges Braque, Paul Cézanne, Gulaab Gang folk art, Jasper Johns
Do you love art? Do you want to learn more about artists, composition, art techniques?Bring art alive through creative discovery. Take a multimedia approach to exploring periods, movements, geography, and master artists through making art. No prerequisite; each session is a stand-alone class with new content each week. Each week we will take a different artist as inspiration. Emphasis is on creative expression and discovery; we will not copy masterworks. Instead you will create your own “masterpieces” based on inspiration and techniques of the “artist of the week.” All levels welcome; beginners will be given extra support; experienced artists are given design challenges to deepen their understanding. 5 sessions, classes need not be taken sequentially. College credit available. $35 includes all materials. Call the Gunnison Arts Center for details. Registration www.western.edu/academics/extended-sor by calling (970) 943-2885.
Pre-registration is required.
We met today at Centennial Plaza, Montrose, Colorado for the first session in improving on site architectural sketching. Beginning with pencil, we practiced getting correct proportions in an elevation view of City Hall. After recording big shapes, we added smaller shapes, and finished with architectural details and foundation plantings. Using a fine tip waterproof marker, we refined shapes. Then students were introduced to techniques for adding watercolor to enhance their sketches.
Students learned new skills and gained confidence in their drawings. Said one participant, “I wish I had known this when I went to Durango last month.” We will continue these ideas next month, again focusing on elevation view and proportions. Drawing is a learned skill. With instruction, support, practice, tips, and techniques, you will learn to capture a sense of place in your sketch book.
Join us for the next “A Sense of Place” sketch journal workshop. There is always review of concepts and techniques, so don’t be intimidated if you miss a class. You can catch up in no time! Sign up using this link: WORKSHOP REGISTRATION
We meet monthly on the second Tuesday or Saturday of each month :
I am offering two approaches to sketch journaling this summer. In Montrose we will focus on capturing a sense of place through the study of onsite perspective. In Gunnison we will express our thoughts, ideas, and feelings through visual journaling.
The Montrose Class is designed for those
who want to use journals to record their travels, but have found perspective difficult. If you have struggled with perspective, I will present an easy system to convey accuracy in your drawings with perspective. Drawing is a skill, and it can be learned. Drawing is not just for “natural artists.” If you love to travel and want to make your trips more meaningful, join us at Centennial Plaza at Tuesday, June 13 from 4:30-6:30 PM. Bring a small sketch book, pencils, eraser, straight edge or drafting square, fine line black pen, small watercolor kit with a brush, (like Prang student watercolors), small cup for cleaning the brush, and a sponge. REGISTER HERE $25 We meet either the second Tuesday (4:30-6:30) at Centennial Plaza or Saturday (2:30-4:30) at Backstreet Bagels each month. Dates: TUESDAY- June 13; July 11; November 14; SATURDAY- August 12; September 9; October 14; December 9
The Gunnison Class is designed for those
who have kept journals or want to start keeping a journal with more pizzazz than simply writing about the day. We will use a variety of visual strategies to bring your journals alive with drawings, color, pattern, and text. Classes are held at the Gunnison Arts Center through a partnership with Western State Colorado University. Optional university credit is available for these classes. Classes begin Wednesday June 14, 2017 and run every other Wednesday through August 9th. To register, contact Gunnison Center for the Arts 970-641-4029 or use this link: GAC EDUCATION
Looking for a way to loosen up your art? Are you interested in learning some new watercolor techniques? Have you wondered if you could be successful painting in watercolor? Do you love color? This class will offer ideas and techniques to create lively watercolor compositions.
Beginners will be given extra support; experienced painters will be given compositional challenges. All adult learners are welcome. Supply list available, or purchase directly from instructor $20.
Classes are not concurrent; there are no prerequisites to register. Each session will focus on different painting techniques for exploration and playful improvisations to enliven your watercolor paintings.
You are invited to an art reception featuring my watercolor paintings celebrating horses, gardens, and travel. The reception begins at 5:30 PM. I will give a gallery talk about my inspirations, techniques, and processes beginning at 6:00 PM. Along with my watercolor paintings, I am offering a wide selection of prints, notecards, and tiny paintings. Live music and refreshments are planned. This event is part of the Gunnison Colorado First Friday Artwork, with many venues in downtown Gunnison participating with art, spirits, music, and food. For more information, please call Anne at 970-641-6111.
“Passionate Pursuits” runs through the end of June. Gallery hours are Monday-Friday 9:00 AM-5:30 PM and Saturdays 9:00 AM-4:00 PM.
“For a Good Time, Call Ed” copyright C Isgreen 2015 $500
Conversano Mima White Horse Vale Ranch, Goldendale, WA Lipizzan Stallion
After seeing my “After School” painting, a good friend sent me a photo she took while traveling in Nicaragua, which she said reminded her of my narrative painting. (see March 31 post- After School) I thought the photo would be a perfect subject for a poured watercolor approach. I will be teaching this technique in Telluride, CO this summer. If you are intrigued by this method, you can register with this link- poured watercolor workshop
As with many of my paintings, the first step is a study in ink or pencil. Lately I have been using ink. These studies are important to determine values for the many pours, along with defining edges and movement in the painting.
After transferring the drawing to 140 pound Arches watercolor paper, I begin masking and pouring the multiple layers of color and value. Now that Adobe Photoshop is so popular, many more people understand the process of poured watercolor. One must think in layers from light to dark. Details can be painting early and masked, or the area can be defined after all the masks have been removed and the layers integrate into a composition. I do both depending on the colors needed and the type of detail I will be adding. Street scenes have far more fussy details than the landscape and horse compositions I have been pouring, so I’ve been improvising the best ways to define details. If the details have complimentary color in the adjacent background, it works best to paint and mask the details before pouring to keep the colors pure.
After the final pour is dry, the mask can be removed. This is the time to clean up edges, define shapes, and resolve the composition. Sometimes this step is like unwrapping a present; the painting revealed under all the drips, masks, layers, and pours is glowing and almost done. Other times, removing the mask presents a conundrum; how do I pull all the elements together? This painting presented a conundrum. I studied this step of the painting for several days before adding the final touches.
After much study, I cleaned up the painting and started to add dabs of paint in ways that would unify the artwork. This took a few days, some brainstorming, some problem solving, and outside eyes to discuss where things needed to go. I was pleased with the solution. This painting evolved organically, and the original painting I saw in my mind’s eye was not the final result you see here. As artists, we must be flexible and listen to what the painting is telling us.
I have two shows coming up this spring/summer. My solo show opens in June at the Gunnison Gallery. I will also be showing in June with Debbie Watkins, fiber artist and Lynn Vogle, fiber/metal artist at Backstreet in Montrose. New works for these shows will feature my flower/garden paintings, watercolor works developed from my sketches and photos from Mexico this past winter, and of course more horse paintings.
This series of photos shows my process; how I create from initial studies/ ink drawing to final watercolor painting.