Galaxy, Dream Horse

Galaxy is the eternal horse; he glows in subtle shades of the blue heaven above. Visit Galaxy and Liberté  at the 610 Arts Collective on Clinton Street, Ridgway Colorado. Hours: Monday-Saturday 10:00 am-5:00 pm. Each sculptures is 18″ tall; $250.

IMG_0684

Mixed media process includes ceramic sculpture, integrated legs from cured forsythia, multilayered surfaces including hand-rubbed metallic finish, copper wire hair treatments, and enameled wooded bases.

If not in the area, purchase and shipping can be arranged by calling the Gallery and speaking to Trisha: 970-318-0150 or visiting this link: purchase a Dream Horse

Advertisements

Liberté, Dream Horse Sculpture

Introducing Liberté, completed on the 4th of July.  His hand rubbed metallic finish is evocative of the copper patina on the Statue of Liberty.  With an explosion of fireworks in his mane and tail, he symbolizes a celebration of freedom, both freedom of the wild horse, as well as freedom the United States guarantees its citizens.  This sculpture is dedicated “with liberty and justice for all,” especially for the least of us.

Mixed media sculpture includes ceramic body with textured patterns, cured forsythia legs, various proprietary compounds that blend forsythia to ceramic body, acrylic base coat,  metallic hand rubbed finish, acrylic clear coat, black enameled wooden base, and copper wire hair finish.  To learn more about this sculpture process, visit this link: Dream Horse process

Liberte

You can visit/view Liberté at the 610 Arts Collective in Ridgway CO.  To purchase this free spirited celebratory horse, contact Trisha at the 610 Gallery,  970-318-0150.

 

Dream Horse Equine Sculptures

IMG_0653

Meet Sazerac, the first horse in my new mixed media equine sculpture series.  Sazerac is a jazzy horse, inspired by New Orleans.  He’s mellow as a fine whiskey with a touch of fire.

Requiring many steps to complete, my mixed media sculptures are a journey of art, fine craft, decision making, and most importantly playful creation.  The horses begin with a foraging trip to find legs from the many trees and shrubs on my property.  I like to use fruit wood and flowering shrubs, which are easy to shape while green and become quite hard during the drying process.  The legs for this series are exclusively forsythia.  As I forage, I am looking for limbs which suggest the anatomy of the horse, bumps and protrusions that echo fetlocks, chestnuts, hocks, knees, etc.  From my basket of gatherings, I sort legs into fronts and backs; then I find pairs that go together.  These groupings are sized, then bundled together for drying.  Some of the legs are shaped while green to push the suggestion of animation.

After the sets of legs are determined, I begin to sculpt the horses with a white clay body.  Each horse evolves organically, with its own gestures and personality.  Using a variety of found objects, I press a pattern into the soft clay.  Then I position the legs as they will appear after firing, checking for balance, anatomy, and temperament.  I note which legs will go with each horse before I remove them for drying and firing.  Drying the wood, as well as the clay takes patience- at least a month.

greenware

After the clay is fired, each set of legs is permanently attached to the selected horse using a special adhesive, allowing 24 hours to cure before sculpting the final musculature where legs join the horse’s trunk.   Over time, with much experimentation, I have developed a proprietary  compound that stays soft long enough to build the muscles and flesh, blending legs into the horse’s body, then dries hard and  bonds to the fired clay.  As everything cures, the horses get their own paddock to keep them safe.  As you can see from the photo, the drying process involves shrinkage, so sometimes another coat of the blended compound is applied to the upper legs before the finish work begins.IMG_9927After everything is dry, each horse gets a base coat of black acrylic paint.  When dry, each horse is hand rubbed with colored metallic pigments, and sealed with clear acrylic glaze.

I enjoy watching the interaction of the horses in their paddock after each application.  The copper green horse seems “buddied” to the red horse.  When all receive their finishes, they again come back together as a herd.  When the sealer is dry, I use a fine gauge wire to create hairstyles and attitude for each horse.  In the preview, you can see a close up view of Sazerac, detailing his pressed clay texture, metallic finish, articulation of limbs merging wooden legs with ceramic body, and copper wire mane.

Sazerac was shown at the 610 Arts Collective in Ridgway and sold in August.  Please contact Trisha: 970-318-0150 to learn of available Dream Horse Sculptures.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Second Place Award at “Ridgway Open”

My painting, “Una Calle Vieja, San Miguel de Allende,” (An Old Street), received 2nd Place at the Weehawken Arts “Ridgway Open” last Sunday night, April 14th.  The show runs through the end of May at Weehawken’s exhibition space, the 610 Arts Collective, 610 Clinton, St, Ridgway, CO 81432.  610 Arts Collective

I’m getting stronger 3 months post-op, and beginning to participate in art events and finally able to make art again.  The painting, “Una Calle Vieja, San Miguel de Allende,” was actually repainted just a week before I entered it in the “Ridgway Open” show. Last year when I originally painted it, I was never happy with the composition. To me it felt unresolved, and I wasn’t sure how to correct that. On that inspired day,  I revisted the painting.  I decided to go back into the painting with pure Windsor red- an opaque pigment- in the shadowed background areas. It was just what I needed, pulling all the red areas together. Then I used manganese blue- another opaque color in the foreground shadows where the road tiles create a linear movement into the heart of the painting. Wow! Cool- using opaque pigments to lead the eye into the focal point and around the painting.  Overpainting with opaque pigments also made a good vehicle for bringing unity to the red/blue accents found throughout the painting. I love it when experimentation leads to new understanding.

 

In deciding what to enter, I decided to showcase my travel work.  The second piece I entered was “A Break in the Clouds,” which was accepted last year, May 2018, for exhibition at the Colorado Watercolor Society annual national exhibition of water media.  It also received 3rd place at the Montrose Visual Arts Guild annual show, October 2018.  These paintings complement each other with the San Miguel piece executed in warm glowing colors and deep shadows, while the Nicaragua painting features cool colors, sunlight, and strong contrasts.

Both paintings are 16″ x 20″ watercolor on paper, framed under glass, $350 each.  Paintings can be purchased by contacting the 610 Arts Collective, 970-318-0150.  If you are local to the Western Slope of Colorado, take a drive to Ridgway and check out the entire show.  Spring is in full glory, and the drive is spectacular.