Thank you for following me. It’s been some time since I have posted. I haven’t fallen off the face of the earth. I spent the end of 2018 with family holidays and prepping for total left knee replacement. I worked out regularly so I would go into my surgery strong and fit, focusing on cardio and core strength; balance and flexibility. On January 9, I had my surgery for an injury that initially occurred 50 years ago, with repeated injuries and surgeries. It was finally time to get my knee fixed. It has been a challenge doing the rehab for a leg whose soft tissues on the outside of the left leg had shortened over the course of those long years. I’m learning how to walk again with balance, deal with the muscle spasms and cramping that come with the hard work of physical therapy. Slowly I am getting my mobility back, as I develop the patience and forbearance of a difficult recovery . Stay with me while I heal and regain use of my leg. When I am well enough, I will be working on new ideas, new techniques, and a new way of expressing myself.
I’ve been exploring a new way to sketch, synthesizing many different approaches and methods using a variety of media in a large 12″x18″ format. I will be demonstrating this new direction at Art Walk Fest, at the Gunnison Arts Center, this Friday, September 7th from 5:00-8:00 PM.
In my never-ending quest to become more and more loose, I am sketching directly with watercolor or pastel, then developing form and structure from the loose shapes I set on paper. In studying the sketches of the Masters, one can see places where the artist is searching for “the line;” the place where the contour line makes the shape correct. Then by adding value, the form can emerge.
For me, these exercises are like a scientist performing experiments, getting results, and acting on the data sets. I will use this experience to begin painting in oils. I want my oils to be loose and direct, not layered and classical, with a build up of glazes.
Join me in Gunnison Friday night. My sketches from this past week will be available for $50 each.
I began the week using white gouache with watercolor, sketching with my brush directly on the watercolor pad. Later, I progressed to sketching with pastel, and adding watercolor or watercolor & gouache washes over the pastel contour lines. In my most recent composition, I have made an underpainting of pastel. I plan to add the watercolor washes on Friday. Come out to see the results of this experiment. For now, I’ve been painting horses. On Friday, I plan to also sketch a few flowers, as time allows.
Beginning Friday during Art Walk and continuing through the month of September, I will offer all my matted bin work at 50% off. These works are
backed with foam core and ready for your frame. This is a great opportunity to become a collector of my artwork. I look forward to seeing you this Friday evening. Besides Art in Action, a full range of Art Walk activities are offered, including a free concert featuring Niceness.
Cogimos un autobus al Mercado Hidalgo y caminamos hasta el Jardin del Cantador
We have been learning the bus routes and stops. On Sunday morning we took the bus from our neighborhood to Central Historico. We picked up the bus at the beautiful Escuela Normal, (the teacher’s college.). It is an old ornate sandstone building built in the Colonial style. This is the main bus stop for the Presa neighborhood. Because we went by bus, instead of walking, we took a tunnel route. Because it was Sunday, everyone was out- families, teenage couples, groups of college students, and a handful of tourists. Once we hit Zona Central, the crowded sidewalks overflowed into the streets. By the time we hit Hildalgo Market, the streets were so clogged, no traffic could move. We disembarked the bus and headed to a large park called Garden of the Singer.
Though some flowers are blooming and shrubs are still green, the trees are mostly dormant, creating a mass of neutral greys. I decided this journal entry would be made in toned inks. Above the garden, homes are built into the hillside providing a splash of color to the winter landscape. This area could be loosely rendered with watercolor wash. The thin paper of the my bus ticket added a layer of complexity to the composition.
We were confused about how to return by bus. Everyone told us to catch the return bus “abajo,” but we could not find where the bus stopped down below. Yesterday we tried again to figure out the bus route home. Finally a college student showed us that the main upper stop was about half a block away from the lower return route. We walked back to Hildalgo Mercado and after some wandering, we found the stone staircase that took us to the bus stop in the tunnel. Once down there, we learned the little buses, (cambios), stopped at the first stop, so we had to walk deeper into the tunnel to catch the Presa bus. It has been very cold, and everyone rides the bus when the weather is bad. Several full buses passed us by. Eventually our bus arrived. We traveled in tunnels for a long while before finally surfacing at the Plaza Embajadors, (Plaza of the Ambassadors.). It was just a few more stops until we reached our stop at the Escuela Normal.
Subimos hasta la Panoramica y miramos abajo en la cuidad…..
Above its network of roads, alleys, and tunnels rings Guanajuato’s high road, La Panoramica. It seems most alleys that climb steeply skyward eventually come out on the Panoramica. The Panoramica affords amazing views of the city and takes you to historical sites above the city. For the faint of heart (or body), one can take the Funicular cog railway to the revolutionary monument, El Pepilar and the Panoramica. Just a block from our casita, we discovered an actual road that connects to the Panoramica. Though not as steep as the callejon escaleras , (alley staircases), the road is still a strenuous hike. The reward is the view!
We found a spot overlooking the city, “Zona Central,” where the big landmarks were easily identified. Here we sat and began a drawing. I was charmed by the house just across the street from where we sat. Built into the mountain hillside, it spreads organically with niches, patios, and additions built from angles that mirror its topography, and crowned with a cupola. A gang of ninos chattered almost constantly while we worked, peppering us with questions. Concentrating on the complex scene in front of me was a challenge! As my drawing began to take shape, the children were delighted to discover the house I was drawing belonged to their grandmother. “Es la casa de mi abuelita!” exclaimed Diego, the leader of this group of primos y amigos.
I am enjoying mixing media for artwork on this trip. For this drawing, I drew the house in ink, then added color with watercolor pencil. In my first drawing, (Jan. 26), I was not happy with the watercolor wash I tried. To deepen and saturate the color, I found I needed to dip the pencil tip directly in water. With that technique, I was able to add strong color in spots and dashes, but could not apply deep colors in large areas. This time, instead of adding water to the colored areas, I blended and toned the colored pigments with Copic markers- warm #1 & warm #4. The alcohol-based ink blended and deepened the color much better than water. I think clear alcohol would make a good blending wash for watercolor pencils where no tone is desired. Notice in the preview image, the main cathedral, Basilica de Nuestra Senora de Guanajuato, and the university, Universidad de Guanajuato were visible from our vantage point. In the full drawing, these features are bookended by the house focal points: the cupola and the large patio light.
I am pleased to work with the Western Colorado Center for the Arts, Telluride’s Ah Haa School of the Art, Montrose Center for the Arts, and Gunnison Arts Center to offer a variety of workshops in watercolor, sketch journaling and mixed media. I am currently scheduled to offer four watercolor classes and three sketch classes this spring, plus an intermediate/advanced watercolor class this summer in Telluride. As the schedule develops, I will continue to update the WORKSHOP SCHEDULE. These offerings are in the works and will be scheduled later in 2017: off-loom weaving to create whimsical broaches, art history through hands-on creative art making, special effects to enhance water-based painting, journal making.
Please use this link to access descriptions, schedules, and registration to classes: WORKSHOP SCHEDULE
I found a special rock in Lo de Marcos last winter when I walked up the street from the beach to my casita. It was shaped like a heart. I give my husband hearts once in a while for special occasions. I thought this would make a good gift, but I thought it needed a little something before it became a gift.
I was inspired to develop this rock into a work of art by a demo at the Montrose Visual Arts Guild monthly meeting. The woman who gave the demo used a variety of sticks to get different size dots. I quickly realized how tedious this could become, but I was motivated by the vision I saw in my mind’s eye upon completion.
I developed the cover design for the box based on Australian Aboriginal paintings. I felt this piece was an homage to their work, as it did not copy any of their animal images or designs. It only borrowed from their way of working and the rhythm of the dots.
As I developed the cover design, I simultaneously gave the rock two coats of red paint and worked on the paper lining for the inside of the box. As you can see these designs complement, but do not mirror each other.
After the red coat was dry, I was able to finish by painting the rock itself and placing it inside the box. This gift needed no wrapping.