“A Sense of Place”

We met today at Centennial Plaza, Montrose, Colorado for the first session in improving on site architectural sketching. Beginning with pencil, we practiced getting correct proportions in an elevation view of City Hall. After recording big shapes, we added smaller shapes, and finished with architectural details and foundation plantings.  Using a fine tip waterproof marker, we refined shapes.  Then students were introduced to techniques for adding watercolor to enhance their sketches.

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Students learned new skills and gained confidence in their drawings.  Said one participant, “I wish I had known this when I went to Durango last month.”  We will continue these ideas next month, again focusing on elevation view and proportions.  Drawing is a learned skill.   With instruction, support, practice, tips, and techniques, you will learn to capture a sense of place in your sketch book.

Join us for the next “A Sense of Place” sketch journal workshop.  There is always review of concepts and techniques, so don’t be intimidated if you miss a class.  You can catch up in no time!  Sign up using this link: WORKSHOP REGISTRATION

We meet monthly on the second Tuesday or Saturday of each month :

  • July 11- Centennial Plaza  4:30-6:30 Tuesday
  • August 12- Backstreet Bagels  2:30-4:30  Saturday
  • September 9- Backstreet Bagels  2:30-4:30  Saturday
  • October 14- Backstreet Bagels  2:30-4:30  Saturday
  • November 14- Centennial Plaza  4:30-6:30 Tuesday
  • December 9- Backstreet Bagels  2:30-4:30  Saturday

NEW 2017 SKETCH JOURNAL WORKSHOPS

I am offering two approaches to sketch journaling this summer.  In Montrose we will focus on capturing a sense of place through the study of onsite perspective.  In Gunnison we will express our thoughts, ideas, and feelings through visual journaling.

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Goliad, Texas, February 2016, Part I: elevation view and proportion 

The Montrose Class is designed for those

who want to use journals to record their travels, but have found perspective difficult.  If you have struggled with perspective, I will present an easy system to convey accuracy in your drawings with perspective.  Drawing is a skill, and it can be learned.  Drawing is not just for “natural artists.”  If you love to travel and want to make your trips more meaningful, join us at Centennial Plaza at Tuesday, June 13 from 4:30-6:30  PM.  Bring  a small sketch book, pencils, eraser, straight edge or drafting  square, fine line black pen, small watercolor kit with a brush, (like Prang student watercolors), small cup for cleaning the brush, and a sponge.  REGISTER HERE    $25  We meet either the second Tuesday (4:30-6:30) at Centennial Plaza or Saturday (2:30-4:30) at Backstreet Bagels each month.  Dates: TUESDAY- June 13; July 11; November 14;  SATURDAY- August 12; September 9; October 14; December 9

The Gunnison Class is designed for those

who have kept journals or want to start keeping a journal with more pizzazz than simply writing about the day.  We will use a variety of visual strategies to bring your journals alive with drawings, color, pattern, and text.  Classes are held at the Gunnison Arts Center through a partnership with Western State Colorado University.  Optional university credit is available for these classes.  Classes begin Wednesday June 14, 2017 and run every other Wednesday through August 9th.  To register, contact Gunnison Center for the Arts 970-641-4029 or use this link: GAC EDUCATION

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“Why sometimes I’ve imagined as many as six impossible things before breakfast.”  Alice  Sketch Journals with Cheri Isgreen, Wednesdays at Western through the Gunnison Arts Center

 

 

 

 

Sketch Journaling at Backstreet 2017

Sketch classes will resume at Backstreet Bagel on the Second Saturday, beginning May 13th, 2017.  Classes are held 2-4 PM in the courtyard weather permitting.  After an inspiring trip this winter to Mexico, more emphasis will be placed on travel journals.

Please use this link to preregister.  WORKSHOP REGISTRATION     Classes are $25, due at the beginning of class.  Bring your sketch materials:

  • sketchbook
  • pencils/erasers
  • fine line ink pens
  • small watercolor & brush sets
  • colored pencils
  • any water-soluble paint sticks or pencils

Mexico Travel Journal Winter 2017 p26

To get to Puerto Vallarta to catch our flight back to the States, we broke our journey into two days.  We took the ETN bus to Guadalajara and spent another night at the Hotel Dali, then took our final bus ride to Puerto Vallarta, again staying at the quaint Hotel Bellmar. We like to stay on the top floor, which is a huge grunt with luggage, but the view is worth the climb.  We stay in Viejo Vallarta Centro, so no beach views.  Instead one looks out on the busy, colorful street life.

Our flight was scheduled to leave at 4:30, so that gave us time to make one last drawing before leaving Mexico.  I took many photos of street life, charmed by the papeles banners, the shiny piñata-like sculpture banners, and other handicrafts Mexicans create to celebrate life.  I captured Calle Iturbide, an appropriate ending to my Mexico sketch journal.  (Iturbide was another revolutionary independence hero.)  The view is looking toward the ocean.  The street ends in a plaza on the beach where many artists display their work.  I wanted the emphasis of this drawing to be on the banners, so I eliminated the ocean view.  I chose to add paint only to the banners to further emphasize the celebratory theme of this ink drawing.

photo collage left to right/ top to bottom:  Tlaquepaque street view with shiny miller piñatas, Puerto Vallarta papeles,  Ajijíc papeles & street vendor, door knocker San Miguel de Allende, door knocker Pátzcuaro, veterinary clinic Ajijíc, antique bicicletas at the tire shop in San Miguel de Allende, street musicians Pátzcuaro, street view San Miguel Deb Allende.

Mexico Travel Journal Winter 2017 p25

El Acuducto, built in 1785 by Bishop Fray Antonio de San Miguel to bring water to Morelia consists of 253 arches and measures 1810 meters.  Local stone was quarried from the village of Santa María.  El Acuducto was  built along the Calle Real, (“Royal Road”), now Madero Avenida.

There was an open air cafe at the foot of the arches.  As I was drawing, a young couple came for coffee after the school day was finished.  I couldn’t help but notice the girl tossed all her hair to one side, then in a dramatic gesture, reached for her novio’s arm.  It goes to show that drama among teens occurs all over the world.

Mexico Travel Journal Winter 2017 p24

From Pázcuaro, we took an ETN first class bus to Morelia, capital city of Michoacán.  We learned that the ETN fares were just a bit higher than Primo Plus, but were far more comfortable.  There are only 36 seats on ETN, the air conditioners always work, (despite the gas crisis), and the bathrooms are pristine.

From my journal, “2/6/17  2:00PM                       MORELIA, capital city of Michoacán…  Lined with well preserved 17th & 18th century Baroque and classical buildings, including MORELIA CATHEDRAL, presiding over the city’s main square, Plaza De Armas.  Morelia was named after Mexico’s revolutionary hero, Morelo.”

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This sketch was made from the Hotel Viray, overlooking the beautiful architecture that characterizes this city.  Morelia is perhaps the most beautiful city in all of Mexico.  Morelians are proud of their city; evidence of recently restored buildings and buildings under restoration are found throughout the city.  Most of these historic buildings are open to visitors.  Note the second beautiful cathedral just down the street from Morelia Cathedral.  The building with the large overhanging entrance near the second cathedral is the theatre.  Many Mexican cities boast lovely old theatres, as the performance arts have been well regarded in Mexico for centuries.   I hope to return soon to Morelia and stay at the Hotel Viray.

Mexico Travel Journal Winter 2017 p22

Tzintzuntzán: musical, magical name for the former Tarascan capital on the shores of Lake Pátzcuaro.  Tzintzuntzán means “place of the hummingbirds.”

Outside the biblioteca in Pátzcuaro, we boarded the colectivo to Tzintzuntzán, which takes passengers to villages around the Lake.  We were able to use our broken Spanish to visit with a mother and her charming daughter along the way, who gave us the lowdown on the archeological ruins.

Before the Spanish conquest, the village of Tzintzuntzán was the capital city of Tarasca, on the shores of Lake Pátzcuaro, with a population of 30,000.  Tarasca was strong, able to repell repeated Aztec attacks.  In 1520, the Tarascans could not fend off the Spanish. Today Tzintzuntzán is a sleepy village that boasts an important archeological site.  Called Taríaran, “House of the Wind,” it is located above the town on a large platform excavated into the side of the hill, overlooking the lake. The ceremonial center contains a large plaza, several buildings which housed priests and nobility, and five yácatas. These semi-circular pyramids were wooden temples where important rites were performed.  As I sketched, I noticed architectural slits in the stonework, much like at Chaco Canyon, New Mexico, which make the whole site function as a large stone astronomical calendar.

In my sketch, I included a bit of the village landscape, the lake, and the volcano, all important elements in the history of Taríaran.