A new workshop by popular instructor, Cheri Isgreen Wednesdays at Western Series at the Gunnison Arts Center 3:00 – 5:00 pm. June 21, July 5, July 19, August 2 Featured artists: (clockwise) Juane Quick to See… More
To get to Puerto Vallarta to catch our flight back to the States, we broke our journey into two days. We took the ETN bus to Guadalajara and spent another night at the Hotel Dali, then took our final bus ride to Puerto Vallarta, again staying at the quaint Hotel Bellmar. We like to stay on the top floor, which is a huge grunt with luggage, but the view is worth the climb. We stay in Viejo Vallarta Centro, so no beach views. Instead one looks out on the busy, colorful street life.
Our flight was scheduled to leave at 4:30, so that gave us time to make one last drawing before leaving Mexico. I took many photos of street life, charmed by the papeles banners, the shiny piñata-like sculpture banners, and other handicrafts Mexicans create to celebrate life. I captured Calle Iturbide, an appropriate ending to my Mexico sketch journal. (Iturbide was another revolutionary independence hero.) The view is looking toward the ocean. The street ends in a plaza on the beach where many artists display their work. I wanted the emphasis of this drawing to be on the banners, so I eliminated the ocean view. I chose to add paint only to the banners to further emphasize the celebratory theme of this ink drawing.
photo collage left to right/ top to bottom: Tlaquepaque street view with shiny miller piñatas, Puerto Vallarta papeles, Ajijíc papeles & street vendor, door knocker San Miguel de Allende, door knocker Pátzcuaro, veterinary clinic Ajijíc, antique bicicletas at the tire shop in San Miguel de Allende, street musicians Pátzcuaro, street view San Miguel Deb Allende.
Benefit for the Montrose Center for the Arts
Looking for a way to loosen up your art? Are you interested in learning some new watercolor techniques? Have you wondered if you could be successful painting in watercolor? Do you love color? This class will offer ideas and techniques to create lively watercolor compositions.
Beginners will be given extra support; experienced painters will be given compositional challenges. All adult learners are welcome. Supply list available, or purchase directly from instructor $20.
JUNE 10 10AM-4PM
also Sept 30 & Nov 11
125 Merchant Drive, Montrose
workshop fee $60
Classes are not concurrent; there are no prerequisites to register. Each session will focus on different painting techniques for exploration and playful improvisations to enliven your watercolor paintings.
You are invited to an art reception featuring my watercolor paintings celebrating horses, gardens, and travel. The reception begins at 5:30 PM. I will give a gallery talk about my inspirations, techniques, and processes beginning at 6:00 PM. Along with my watercolor paintings, I am offering a wide selection of prints, notecards, and tiny paintings. Live music and refreshments are planned. This event is part of the Gunnison Colorado First Friday Artwork, with many venues in downtown Gunnison participating with art, spirits, music, and food. For more information, please call Anne at 970-641-6111.
“Passionate Pursuits” runs through the end of June. Gallery hours are Monday-Friday 9:00 AM-5:30 PM and Saturdays 9:00 AM-4:00 PM.
After seeing my “After School” painting, a good friend sent me a photo she took while traveling in Nicaragua, which she said reminded her of my narrative painting. (see March 31 post- After School) I thought the photo would be a perfect subject for a poured watercolor approach. I will be teaching this technique in Telluride, CO this summer. If you are intrigued by this method, you can register with this link- poured watercolor workshop
As with many of my paintings, the first step is a study in ink or pencil. Lately I have been using ink. These studies are important to determine values for the many pours, along with defining edges and movement in the painting.
After transferring the drawing to 140 pound Arches watercolor paper, I begin masking and pouring the multiple layers of color and value. Now that Adobe Photoshop is so popular, many more people understand the process of poured watercolor. One must think in layers from light to dark. Details can be painting early and masked, or the area can be defined after all the masks have been removed and the layers integrate into a composition. I do both depending on the colors needed and the type of detail I will be adding. Street scenes have far more fussy details than the landscape and horse compositions I have been pouring, so I’ve been improvising the best ways to define details. If the details have complimentary color in the adjacent background, it works best to paint and mask the details before pouring to keep the colors pure.
After the final pour is dry, the mask can be removed. This is the time to clean up edges, define shapes, and resolve the composition. Sometimes this step is like unwrapping a present; the painting revealed under all the drips, masks, layers, and pours is glowing and almost done. Other times, removing the mask presents a conundrum; how do I pull all the elements together? This painting presented a conundrum. I studied this step of the painting for several days before adding the final touches.
After much study, I cleaned up the painting and started to add dabs of paint in ways that would unify the artwork. This took a few days, some brainstorming, some problem solving, and outside eyes to discuss where things needed to go. I was pleased with the solution. This painting evolved organically, and the original painting I saw in my mind’s eye was not the final result you see here. As artists, we must be flexible and listen to what the painting is telling us.
I have two shows coming up this spring/summer. My solo show opens in June at the Gunnison Gallery. I will also be showing in June with Debbie Watkins, fiber artist and Lynn Vogle, fiber/metal artist at Backstreet in Montrose. New works for these shows will feature my flower/garden paintings, watercolor works developed from my sketches and photos from Mexico this past winter, and of course more horse paintings.
This series of photos shows my process; how I create from initial studies/ ink drawing to final watercolor painting.
Sketch classes will resume at Backstreet Bagel on the Second Saturday, beginning May 13th, 2017. Classes are held 2-4 PM in the courtyard weather permitting. After an inspiring trip this winter to Mexico, more emphasis will be placed on travel journals.
Please use this link to preregister. WORKSHOP REGISTRATION Classes are $25, due at the beginning of class. Bring your sketch materials:
- fine line ink pens
- small watercolor & brush sets
- colored pencils
- any water-soluble paint sticks or pencils
El Acuducto, built in 1785 by Bishop Fray Antonio de San Miguel to bring water to Morelia consists of 253 arches and measures 1810 meters. Local stone was quarried from the village of Santa María. El Acuducto was built along the Calle Real, (“Royal Road”), now Madero Avenida.
There was an open air cafe at the foot of the arches. As I was drawing, a young couple came for coffee after the school day was finished. I couldn’t help but notice the girl tossed all her hair to one side, then in a dramatic gesture, reached for her novio’s arm. It goes to show that drama among teens occurs all over the world.